Use the Right FilterĪ UV or skylight filter is a glass filter that attaches to your lens, protecting the lens and the front element from dirt and damage, like scratches. Depending on the kind of residue or dirt stuck to your lenses, you can use one of the techniques described below to clean camera lens and make them looking brand new. Blowers and brushes help get rid of dust and grit, whereas tissues, cloths, and cleaning fluid aid in breaking down oil spots and finger smudges.
There are many methods you can use to clean camera lens.
Toem clean camera how to#
Keep reading for simple tips that will show you how to clean the camera lens safely and correctly. But too much cleaning may lead to scratches on your lens. Regular camera lens cleaning helps you get a more precise, sharper shot with crisper details. Mission: Impossible - Ghost Protocol opens globally in cinemas from December 21st 2011.All manner of debris can make its way onto your camera lens, from finger smudges to dust and oil. Will the experience convince the UAE to open up to film projects that lack Mission: Impossible’s profile and budget? We’ll have to wait and see. In return for the city’s troubles the Burj Khalifa is the film’s central set-piece and the image of Cruise climbing its shiny walls dominates the global marketing campaign too.
Toem clean camera movie#
This is probably why the city supported the production on a scale that was quite possibly worth as much to the movie as a formal filming incentive (although industry rumours suggest the film received a formal but confidential rebate in addition to the logistical support). Hosting the Ghost Protocol shoot is a major publicity coup for Dubai. It’s big, it’s noisy, it’s heavy and the loads of film magazines don’t last very long because the film is so large. We filmed it in IMAX, which is a really cumbersome camera. Fuel consumption, wind and short IMAX film magazines added more spice. Cruise had to be on the wall ready to perform the stunt at the right time, the helicopter had to be in the right position to get the right shot and the bulky IMAX camera had to be ready to roll at the same time. It became a matter of split-second timing. Also we had to stay in the air so we burned through gas quickly.” The cameras are so big that we had to land the helicopter just to change the magazine. It’s big, it’s noisy, it’s heavy and the loads of film magazines don’t last very long because the film is so large (usually 65mm).
The Burj Khalifa is in fact a no-fly zone, so special permission was needed to put a chopper in the air in the first place.īird notes: “We filmed it in IMAX, which is a really cumbersome camera. Then there was the question of how to get the shots they needed with IMAX cameras from a helicopter.
Toem clean camera windows#
This began with simply getting equipment into the building - the crew purposely broke dozens of windows to give the necessary level of access. Road closures and even location clean-ups were sorted out as the film’s multiple units spent a month in the city.įilming in, on and around the Burj Khalifa was a major logistical challenge. These agencies included the Road Transport Authority, Civil Aviation and the Ministry of Defence, all headed by Dubai’s police force. More than 100 Dubai locals staffed the film’s support team from at least six different municipal agencies, alongside servicing company Filmworks. Road closures and even location clean-ups were sorted out as the film’s multiple units spent a month in the city. We always imagined it would be a good place to set a big sequence in the film but getting a cast to actually shoot on the building and do it as elaborately as we did it was made possible by the Government and we jumped at it.” The United Arab Emirates doesn’t have any formal filming incentives, but the authorities were clearly keen to secure a project of Mission: Impossible’s scale and so the logistical support was massive.ĭirector Brad Bird talked to Arabian Business: “We saw it as a place that had not really been presented that way on film and we could be the first ones to take advantage of it.
Ghost Protocol producers JJ Abrams and Bryan Burk first floated the idea of Dubai as a filming location when they visited the city to promote Star Trek. The sequence’s shoot took around five months to plan. The film hinges on a stunt sequence where the star scales Dubai’s Burj Khalifa, which at nearly 830 metres is the tallest building in the world. Tom Cruise has pulled out all the stops for the latest in the Mission: Impossible franchise.
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